An American poet once said, “No
one’s fated or doomed to love anyone. The accidents happen…” Born two worlds
apart and together for only a moment, she must be correct.
It started when you got on the
lorry. What first caught my attention was the way you hosted the jembe across your shoulders, cool and
coy like David poised with his sling, confident in your body and the implements
that were its natural extension. I was sitting in the bus stand and, while I
couldn’t see your face, I was struck by your back; thick knots of muscle
wrapped tight around your neck and shoulders, a thin layer of sweat made the
sunlight dance through dark peaks and valleys.
And then your kanga fell. I’ve always doubted the truth of love at first sight;
it seemed like something people say after memory has buffed details and
re-plaster reality. How can you love someone you don’t know? Aren’t you just
fooling yourself into loving what they represent? What does it mean to love an
idea? All I know is that the moment you stood bare breasted, unblinking as your
young daughter retied your billowing shawl in the back of a departing flatbed, it was
love.
So, I’m in love with you, or maybe
the idea of you, or maybe the moment you inhabited the canvas on which I
painted love. Whatever it was, it was found and lost in a dusty, Tanzanian bus
stand.
Forever yours,
More beautiful than Bernstein's memory of the girl with the white parasol!
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